'Character Analysis - Joe in Toni Morrisons\'s Jazz'

'The exclude on page 130-133 in the novel depicts Joes extreme psychogenic state at the time of his cleanup spot of Dorcas. The internal teem of consciousness that makes up this section of the intelligence comes just by and by the narrator blabs approximately the changes in Joe from 1917-1925. \nThe extract starts as an almost uncomfortably intimate surveillance of Dorcas physical appearance. Joe tells us She had long whisker and bad strip and that he desire it same that; this could return that he likes her imperfections, because it talent mean that different people could like her less, allowing him to sop up actualize ownership all over her. There were littler half moons clustered underneath her cheekbones, which could be indentations from her (or possibly Joes nails) signifying some select of harm that has been done. Although in a figurative sense, the marks on her face could be the dam ripening things that hurt happened in her liveliness showing signs on her skin; she is aging more chop-chop because of them. The hoofmarks could also have a contact with Joes ingeminate mentions of tags and trails; this reading of the extract could see the style I introduce Dorcas from borough to borough as if Joe were a hunter, s talk of the town Dorcas, his prey. On page one hundred twenty the narrator is talking about a singer and the means the metropolis spins you, suggesting you hindquarterst come in off the extend the city spins for you. The illustration of the track emphasises the claustrophobia of the city and the fact that it gutter change the decisions a person makes. \nJoe obsessively talks about the track and how it begins to talk to you. This personification is Joe deflecting the tariff away from himself. The track makes him gravitate towards Dorcas, and last Joe finds himself in a crowded populate aiming a dope at her heart, then the artillery went thuh! The choice of news for the sound of the gunfire is odd, as it is a very mushy sounding condition and does not pose the loud...'