The Taxi Driver Stages of His Journey

He watches the world go by as he drives done the streets, and he observes aspects of adult male nature in his rear-view mirror, placed so he bottom of the inning see into the back seat and watch his passengers. This is his time of preparation, of reading about the city, of seeing the degradation that the city offers. He travels by the city, besides he does not see himself as ploughshare of the city. He is on a journey of discovery from the setoff of the study, always looking through his cab window to be ready when the time comes. The requirement that the hero be of appalling blood but humble birth applies in vocalism to Travis--he is of humble birth, but whether his blood is noble is a intimacy of point of view. Essentially, he is himself a time bomb postponement to explode. He certainly sees himself as noble, as more object lesson and worthy than the world in which he lives. Much of the film seeks to show that this is the case, that the rest of the world is so evil and twist that Travis is an innocent traveling among the wolves.

Travis is a loner, and his isolation from his fellow globe is emphasized in several ways. New York City is itself an isolate experience in spite of (and perhaps because of) the millions of people there. Travis passes through the crowds without connecting with anyone. He is further isolated when he is in his car, divide from the teeming streets. He is separated from his passengers by a divider. He looks out at the world from be

hind the glass of the car window. At the same time, the going of Travis through the streets of the city emphasizes not only his isolation but his bay for a place in that world. His pretenses at organism dissimilar kinds of people are more than delusions--they are try-outs, as it were, for a man with no identity who wishes to find a place in the world and assert himself as a member of society.

This produces as well his symbolic death, rebirth, and apotheosis.

When Travis is unable to dash off the political candidate he has selected, he turns to a different target, ostensibly to protect the child-prostitute but in truth to go out in a blaze of six-gun glory. In the end, he succeeds by failing. In the final moments of his bloodbath, it is clear that he has intended to kill himself if he is not killed by his antagonists, and tho he is out of ammunition and so survives.

This survival becomes an dry call attention on the media culture with which we live. Arguably, that culture spawned Travis Bickle in the kickoff place with glorified images of violence and of success through violence. Now, Bickle genuinely achieves the notoriety he has sought, having been made a hero for deliverance the prostitute and for eliminating a number of criminals in the process. The news media believes Bickle is a hero, and therefore he is a hero. He has created himself in his avow image through an act of extreme violence, and he exit likely do so again. The ironies are compounded as a girl who previously spurned him gets into his cab and does thence seem impressed, just as he wanted.

Bickle's hero quest twists the stages of the journey of the hero into unusual forms to make an ironic comment on the meaning of the hero in the modern world. A
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.